Franz Joseph Haydn

Franz Joseph HaydnFranz Joseph HaydnFranz Joseph Haydn was born a savage in the village of Rohrau, Austria on March 31, 1732. His father, a wagon churchman by trade, was melodiously inclined. He often played the harp man his wife, Haydns mother, sang along. The second child of twelve in a crosspatch home left Haydn little chance of attending school, however materialization Franzs earlyish showings of musical ability caused his cousin to take notice and store his education to be given at St. Stephens (Franz Joseph Haydn Biography, NAXOS). At age cardinal he was given a choirboy position in a Viennese cathedral. From a very early age Haydn was moving up in the world based on his own merit. Social mobility in his mean solar day and age was relatively unheard of, but from the very beginning Franz Joseph Haydn was proving to be exceptional. For several social classs Haydn remained a choirboy with the cathedral, until unmatched day he establish himself out on the streets with little more(prenominal) than the clothes on his back. puberty had altered the boyish timbre in his voice and he was disincline to remain in the boys choir. Soon, however, Haydn found work as an accompanist to Niccolo Porpora, an Italian composer. Niccolo taught Haydn Italian, voice, and schooled him in musical composition (Franz Joseph Haydn Biography). Haydn and Porpora really began to find success as aristocrats and royalty began to hire them for entertainment at all types of events. Haydn began to find more than just status, he began to generate significant revenue (Halley Tsai). Soon Haydn go on apart from Porpora and was briefly hired by Baron Karl Josef von Furnberg. It was infra this patronage that he composed his earliest string quartets. At 28 Haydn found a more substantial position when he was hired as music director by Count Ferdinand Maximilian von Morzin (Basic Repertoire angle F.J. Haydn). One of the biggest turning points in Haydns life came in 1761 when Prince Pal antl Esterhzy hired him as assistant music director. The following year he was promoted to head director, or Kapellmeister. Haydn served as Kapellmeister under three princes in this household, finding himself with overwhelmingly demanding duties and responsibilities. The second prince, Prince Mikls Jozsef Esterhzy, was the biggest musical advocate of the three. He spent a fortune building up a musical establishment second to none in his day. Haydn found himself in a very publically demanding position. Haydn worked to not only compose music, but in addition to teach his music as salutary as others pieces. He was in turn responsible for performing music, maintaining the library of music, keeping up the mover collection, coaching singers, and perform the duties of an administrative figure when it came to issues and disputes among musicians and entertainers (Basic Repertoire lean F.J. Haydn). During the time of Haydns patronage by the princes he composed roughly 83 full tre atment. any(prenominal) an(prenominal) of these kit and boodle were string quartets. Haydn wrote many of these quartets in sets that shared common themes and elements. whatsoever of these sets are as follows The Sun Quartets (1772), The Russian Quartets (1781), The Prussian Quartets (1787), and many, many more. umpteen of these later quartets were written to feature his third prince and patron Prince Nikolaus Esterhzy. Nikolaus played a bowed instrument called the baryton. This instrument was similarly able to be plucked, and was looked at rather critically by later scholars and critics. In addition to the quartets, Haydn also composed a significant amount of pieces for two violins and a violoncello as well as some 126 baryton trios (Franz Joseph Haydn Biography, NAXOS). Haydn did not always sleep with the seclusion that came with working for the princes of Esterhza, but he did enjoy the rummy favour of being allowed to market his compositions to publishers and receive co mmission. Many composers being patronized during the eighteenth century did not have this luxury (Basic Repertoire List F.J. Haydn). During the early to mid 1790s Haydn joined forces with an enterprising, offspring English violinist, Johann Peter Salomon. It was alongside Salomon, in London, that Haydn composed some of his works considered masterpieces. Several of which are commonly cognise as The London Symphonies. (Basic Repertoire List F.J. Haydn). His use of crescendo, accents, abrupt high-power changes, modulation, and other such innovative technique set the precedent for many following composers (Forney, Kristine). While working for the princes Haydn published a total of one hundred twenty-five trios and 19 operas (Basic Repertoire List F.J. Haydn). The most famous of Haydns symphonies, Symphony nary(prenominal) 94, is often referred to as the Surprise Symphony. It became apparent to Haydn that members in the audience were dropping asleep mid-performance. As a remedy f or this problem, he composed this harmony utilizing a forceful brass section composed of French horns and trumpets along with tympani percussion. Haydn wrote the beginning to be mild and peaceful. Dynamically the accounting entry was relatively piano. And then, seemingly without warning, Haydn wrote in an orchestral hit that brought the dynamic take aim abruptly to forte in an attempt to jar sleeping listeners to wake. such(prenominal) dynamic change was later reflected in Beethovens works (Forney, Kristine). Although Haydn had passed the age of cardinal his output of music showed no signs of slowing. After his work in London, Haydn returned to Austria and began to import oratorio. The Creation and The Seasons were two famous works that portrayed scenes of nature. An avid hunting watch and nature lover, Haydn often incorporated themes of nature into his music (Franz Joseph Haydn biography, Essortment Articles). Haydn was notably one of the most productive writers of all time, putting out an immense add or musical works throughout his life. Haydn wrote career number 107 symphonies, 68 string quartets, 62 piano sonatas, 43 piano trios as well as the 125 trios written during his work with the princes, and 19 operas(Basic Repertoire List F.J. Haydn).This level of proficiency in that day was rivaled only by the young composer Mozart, who was actually a good friend of Haydn. Haydn stumbled across Mozart while observing a lesson of Mozarts with another student. Haydn was stunned by the musical genius and speedily befriended him. The two began to become involved in each others music theme and even suggested ideas on occasion that would better each others writing. Haydn even admitted his younger companions superiority in writing opera (Franz Joseph Haydn Biography, NAXOS).Haydn and Mozart remained friends until parted by the conclusion of Mozart. At age 77, Haydn followed his friend in death on whitethorn 31, 1809. It was Mozarts last composition A Requiem that was performed at Haydns own funeral (Halley Tsai). Haydns works are not as often performed today as some of his later contemporaries, because they are not complex in nature however, the originality of his works are without question. Haydn paved the way in style and technique for his upcoming composers. Haydn not only influenced the minds of the composers but also was an instructor to the musicians and performers, both implemental and vocal, that would play the music. Haydn is often remembered as a self-made man, a on-key example of rags to riches. He is remembered as an innovator and an instructor totally unique and original in all areas of his life and work.BibliographyForney, Kristine. The Enjoyment of Music An mental institution to Perceptive Listening. Boston W. W. Norton Company, 2007. PrintFranz Joseph Haydn. Academic Talent Development Program. Halley Tsai, 1999. Web. 30 Sep. 2009. .Franz Joseph Haydn Biography. Listen to Classical Music by Franz Joseph Haydn. Class ical Music stream Classical Music. NAXOS, 2009. Web. 30 Sep. 2009.Basic Repertoire List F.J. Haydn. Classical Net. 2009. Web. 30 Sep. 2009. .Franz Joseph Haydn biography. Essortment Articles Free Online Articles on Health, Science, Education More.. Elaine Schneider, 2002. Web. 30 Sep. 2009.